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Paramount cancels “Cops” in wake of protests

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the longest-running U.S. reality show, it acted as a PR effort to reform the reputation of abusive police departments
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fantastico
58 days ago
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But, but... what are they going to do!?
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Saturday Morning Breakfast Cereal - Brain

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Click here to go see the bonus panel!

Hovertext:
There's a reason medical conditions have Latin terms.


Today's News:
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fantastico
73 days ago
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Cerebrum stolidus
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73 days ago
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awilchak
74 days ago
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it me
Brooklyn, New York

The Peanuts Gang Performs Pink Floyd’s Classic Rock Opera in the Mashup “Charlie Brown vs. The Wall“

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YouTuber Garren Lazar has hit upon a brilliant idea—take clips from Charles M. Schulz’s universally beloved Peanuts cartoons and cut them together with universally beloved (more or less) popular anthems like “Bohemian Rhapsody,” “Don’t Stop Believing,” “Freebird,” and “Stayin’ Alive.”

The huge emotions of these songs suit the oversized feelings of the comic’s characters, who were, all of them, variations of Schulz himself. As Jeff Kinney writes in his introduction to Chip Kidd’s book, Only What’s Necessary: Charles M. Schulz and the Art of Peanuts, the strip and its many animated spin-offs constitute “perhaps the most richly layered autobiography of all time.”

It’s fitting then that one of Lazar’s earlier Peanuts mashups involved another such richly autobiographical work, Pink Floyd’s rock opera The Wall, an album full of personal and collective pain, deep fear, alienation, insecurity, and observations about just how oppressive childhood can be. Just like… well, just like Peanuts.

Schulz’s work has always transcended the expectations of his form, becoming what might even be called comic strip opera. His fifty years of drawing and writing Peanuts make it “the longest story ever told by one human being,” says cultural historian Robert Thompson.

The creator himself had great ambitions for his collections of “little incidents,” as he called the strips. He hated the name Peanuts, which was forced upon him by United Feature Syndicate in the 50s. Schulz preferred his original title Li’l Folks, which he said imbued the strip “with dignity and significance. ‘Peanuts’ made it sound too insignificant.”

This was essential human drama, writ small, and it amounted to a whole lot more than “peanuts.” Claire Catterall, curator of a Schulz exhibit in London, insists she’s “not being ironic” in calling the strip “Great Art.” Schulz “introduced children—and adults alike—to some of the biggest philosophical ideas.” His “influence on culture and society is nothing short of seismic.”

Peanuts’ richness emerges in grand themes that took shape over decades. Bruce Handy writes of the Peanuts’ characters’ "nihilism," calling Schulz’s world a “theater of cruelty.” (Their unhappiness only seems to lift during musical numbers.)  Jonathan Merritt describes the strip’s religious mission, Maria Popova writes of its brave Civil Rights stand and its cultural evolution, and Cameron Laux compiles a list of Peanuts philosophies, from Existentialism to the importance of friendship and self-reflection.

Nor does Schulz escape comparisons to writers of great literature—including several whose names may have popped up as references in the strip, likely in the word bubbles of the precociously erudite Schroeder or Linus. Kinney compares Peanuts to Shakespeare, Laux compares it to Sartre and Beckett, and Stuart Jeffries at The Guardian writes, “Certainly, Ibsen and Strindberg made a lot of sense to me as an adult because I was raised on Peanuts.”

If Schulz’s comic strip and cartoons can evoke these august literary names, then why not the names Roger Waters and David Gilmour? If anyone has ever felt like just another brick in the wall, it’s Charlie Brown. Marvel at Lazar’s editing skills in “Charlie Brown vs. The Wall.” The Peanuts gang, and Schulz, may have preferred jazz, but one can see in their existential angst and frequent bouts of despair the same kind of disillusionment Roger Waters hammers home in his masterpiece. Only, the former “Li’l Folks” and their creator had a much better sense of humor about it all.

Related Content: 

Peanuts Rock: Watch the Peanuts Gang Play Classic Rock Songs by Queen, Lynyrd Skynyrd, Journey & More

The Velvet Underground as Peanuts Characters: Snoopy Morphs Into Lou Reed, Charlie Brown Into Andy Warhol

Umberto Eco Explains the Poetic Power of Charles Schulz’s Peanuts

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness

The Peanuts Gang Performs Pink Floyd’s Classic Rock Opera in the Mashup “Charlie Brown vs. The Wall is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don't miss our big collections of Free Online Courses, Free Online Movies, Free eBooksFree Audio Books, Free Foreign Language Lessons, and MOOCs.

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fantastico
162 days ago
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CDC Does Not Approve of Dali

jwz
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fantastico
162 days ago
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Um...You Missed a Spot: A Neat Freak's Guide to Kitchen Cleaning

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Keeping a kitchen clean can feel like a Sisyphean task, but if you approach it methodically, you can keep your cooking space spotless and organized. The key is to know what to do, and how often to do it. Read More
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fantastico
519 days ago
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Also called, "a list of things I never do"
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A Shot-By-Shot Remake of Toy Story 3 by Two Teen Superfans

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Since 2011, brothers Morgan and Mason McGrew have been working on a shot-by-shot recreation of Toy Story 3. They’ve built sets, borrowed garbage trucks for scenes, and spent hundreds and hundreds of hours shooting stop motion animation of their army of Toy Story dolls & action figures. They’ve made enough progress on the film to release a trailer and it looks great!

For way too many years now, my brother and I (with the support of our awesome family and friends) have been working on a shot-for-shot recreation of Toy Story 3. This project has been an incredible undertaking, and we’ve made the decision to have this complete by 2019. At this time, I’m not quite sure what a release will look like, but I do know that this has to be done by next year. We’re both pursuing college and full-time careers right now, and it’s time to wrap this side-project up.

It looks like the brothers were around 11 and 14 when they began filming. You can check out the project’s Facebook page for information and updates.

See also Raiders of the Lost Ark: The Adaptation.

Tags: Mason McGrew   McGrew   Morgan   movies   remix   Toy Story   trailers   video
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fantastico
697 days ago
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